![]() In a way, such films can be regarded as an extension of the Sinhala Nataka.Īnother common fact is that these films had been woven around caste conflicts, marriage and feminine fidelity, drunkenness, the nobility of the poor and the meanness of the rich. Perhaps, you might be aware of lengthy dialogues in classical Sinhala, artificially fabricated background scenes and North Indian songs in our early films. ![]() Our Sinhala cinema followed the Sinhala Natakas based on the Parsi and Baliwala Nurtis of North India. In other words, the South Indian studios had been made accessible to our film producers. These films were better known as ‘Formula Films”. At the time when the first Sinhala film “Broken Promise” was screened, it was inevitable that South India should serve as its motherland.
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